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X-WR-CALDESC:Melbourne International Animation Festival
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DTSTART:20260530T010348
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UID:MEC-577bcc914f9e55d5e4e4f82f9f00e7d4@miaf.net
DTSTART;TZID=Australia/Melbourne:20190716T181500
DTEND;TZID=Australia/Melbourne:20190716T193500
DTSTAMP:20190601T160600Z
CREATED:20190601
LAST-MODIFIED:20210330
PRIORITY:5
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TRANSP:OPAQUE
SUMMARY:International Program #4: Abstract Showcase_2019
DESCRIPTION:TICKETS\nMIAF prides itself on ensuring abstract and experimental animation stands tall as part of the mix of animation on show. As usual, our annual Abstract Showcase brings the best of this vibrant animation genre to the big screen.\nThe back-bone of the whole MIAF mission. One of seven stunning programs showcasing the awesome diversity of animation made up from 4,000+ submissions. Every technique, every genre, every style – your annual window into the international indie animation universe.\n \n7.6 Billion\nPaul Fletcher\nAustralia, 6’33, 2018\nA virtual sky awash with a digital aurora.\nTwilight\nRichard Reeves\nCanada, 2’00, 2018\nAn exploration of the relationship between sound and picture inspired by the two lights (twi-light) found inside film projectors.\nBird Milk\nChristopher Strickler\nCanada, 4’33, 2018\nBird Milk is an abstract experimental animated film inspired by the work of the legendary Norman McLaren.\nLueur d’Espoir\nDamien Tran\nGermany, 1’54, 2018\nA pounding synthesisation of striking, bold black and white imagery.\nChanting\nDirk de Bruyn\nAustralia, 4’03, 2018\nChannelling Lye and McLaren, de Bruyn continues his explorations of ‘direct-to-film’ inspired artwork barely contained within the frame.\nDown Escalation\nShunsaku Hayashi\nJapan, 7’24, 2018\nA precariously constrained descent into the abstracted DNA of a subterranean cityscape.\n13 Years Later\nAlexander Dupuis\nUSA, 4’55, 2018\nA perfect blending of the art of maths and the maths of art.\nLet X Equal X\nColin Stanhill\nUSA, 3’06, 2017\nA perfect skydive into the fantasmagorie.\nAerobie\nBastien Dupriez\nFrance, 3’51, 2017\nWith a rushing smear, a cyclist begins his race.\nMille Regretz\nJean Detheux\nCanada, 4’00, 2018\nAnother example of Detheux’s enchanting work, this year deepened by some outstanding live performance experiences.\nFly Us To The Moons\nlia\nAustria, 6’00, 2017\nA swarm of forms, reminiscent of alien spaceships or mechanical bats suspended in space.\nGuidance\nDavid Delafuente\nUSA, 4’00, 2018\nThe function of the wrestler is not to win. It is to go through the motions that are expected of him.\nDeep Blue And Dirty\nAlyssa Rothwell\nAustralia, 5’35, 2018\nA tactile, layered animation in paint improvised in response to Andrew Schultz’s work for bassoon and piano.\n_ImEdge\nHuang Xiaowen\nHong Kong, 4’14, 2018\nA stunning piece of imagined night cartography rendered in an intricately crafted digital filigree.\nVIVAldi VVinter\nTheodore Ushev\nJapan, 9’48, 2018\nA deep dive into a snowstorm of structural chaos and a blizzard of exploding gestural animation.\n
URL:https://miaf.net/events/international-program-4_2019/
CATEGORIES:Competition,International
LOCATION:Lower Plaza, 1 Macarthur St, Melbourne VIC 3000
ATTACH;FMTTYPE=image/png:https://miaf.net/wp-content/uploads/2019/06/Intl-Prog-4-Abstract-_ImEdge-Huang-Xiaowen-e1560858651728.png
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