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X-WR-CALDESC:Melbourne International Animation Festival
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TZID:Australia/Melbourne
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TZOFFSETFROM:+1000
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DTSTART:20260603T185833
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DTSTART;TZID=Australia/Melbourne:20210513T190000
DTEND;TZID=Australia/Melbourne:20210523T230000
DTSTAMP:20210424T131918Z
CREATED:20210424
LAST-MODIFIED:20210607
PRIORITY:5
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TRANSP:OPAQUE
SUMMARY:Cinema 3: Online Program #2 A Time For Change_2020
DESCRIPTION:TICKETS\nWelcome to Online Program Two which features 7 short, hard hitting films ranging in topics from genocide, displacement, belonging and freedom from persecution through art through to politically motivated deaths of Australian Returned servicemen and women. Program Two features music film clips, comedic micro shorts, true stories and is inclusive of film makers from a range of cultural backgrounds. Each film is introduced by a short interview with the film maker.\nEchos From Myanmar – Paul T McGilvray\nEchos From Myanmar\nPaul T McGilvray, 4’00, Australia, 2021\nVoice recordings smuggles out of Myanmar before the nationwide black out reveal the emotional state of everyday civilians in this daring short film exposing an ongoing military coup.\nFreedom Is Mine – Mahmoud Salameh\nFreedom Is Mine\nMahmoud Salameh, 3’30, France, 2020\nThe power of art of give freedom to those who are persecuted and detained is shown to be a powerful force in this short, poignant animated film based on real life experiences.\nWont Be Quiet – Roz Pappalardo\nWont Be Quiet\nRoz Pappalardo, 3’31, Australia, 2021\nThe politically motivated deaths resultant from agent orange touches the lives of people to this day. Their deaths occurred to protect corrupt politicians and they deserved far better. One of two featured Music Clips and based on a true story – this piece is a protest against corruption and silencing of victims and their families.\nThe Smiling Boy – Farhad Bandesh & Neil Sanders\nThe Smiling Boy\nFarhad Bandesh/Neil Sanders, 3’58, Australia, 2021\nBased on a photograph of a young Kurdish boy waiting in line surrounded by many other children and adults. He is calm. He smiles at the camera. In less than an hour he will be dead – buried in an unmarked grave and one of countless victims of the Kurdish genocide. He shows no fear.\nA Plastic Flower – Shirin Shakhesi\nA Plastic Flower\nShirin Shakhesi, 4’00, Australia\nWe are extremely proud to present Shirin Shakhesi’s film. The title gives nothing away and the story. Based on real life events, A Plastic Flower is executed with technical and artistic perfection. With hints at much more laying just below the surface, this is a powerful short film about disposition, belonging and loss. Shirin is a film maker that you must keep an eye on.\nThe Trouble – Pina Tuteri\nThe Trouble\nPina Tuteri, 4’12, Australia, 2020\nPina Tuteri’s short music video incorporates live action and animation to deliver a powerful account of struggling with feelings of isolation, loneliness and mental health, tinged with a delicate hope that change will come. Pina is a disabled film maker and singer/ song writer who is currently recovering in intensive care after suffering a massive cardiac arrest, stroke and insertion of a tracheostomy. It is with great pleasure that we release this soulful and talented woman’s work into the world. Our second of two featured music clips and based on her own life experiences.\nUntitled Animation 1,2 & 3.5 – Dom Sowersby\nUntitled Animation 1,2 & 3.5\nDom Sowersby, 1’45, Australia\nA short, animated film comprised of multiple microfilms, Untitled Animation 1,2&3.5\nis a “blink and you’ll miss it’ experience! Dom Sowersby delivers scathing roasts to the most famous of politicians in a fast, punchy format. A self-taught and emerging animator, Dom has given us our stand out comedy inclusion in the line-up – we simply had to end the program with Dom’s direct sense of humour and delivery.\n
URL:https://miaf.net/events/online-program-2-a-time-for-change_2020/
CATEGORIES:International,Online
LOCATION:Cinema 3: Online
ATTACH;FMTTYPE=image/png:https://miaf.net/wp-content/uploads/2021/04/Echos-From-Myanmar-Paul-T-McGilvray.png
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